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There was a money slot, and you could pay to see the performers. We built a wall so that you couldn’t actually walk all the way into the boat: you could just step in. I contacted a bunch of Lusty Lady alumni, a bunch of drag queens from Esta Noche, as well as DJs and people from the Center for Sex and Culture. I hired them for four nights to perform inside the hulls of sailboats. So I rafted together four sailboats, and each one was a performance space. Social networking has also changed a lot of the way that queer culture interacts with each other. It was partly because clientele had moved out of the city because they couldn’t afford to be there. Everybody was welcome - it was like a queer Quinceañera every night. It provided a place for gay Latinos who didn’t necessarily have a place in white gay-man world or in Latino culture. Then, six months later, so did Esta Noche, a Latino gay bar in the Mission. It catered to the general public and also specifically to feminists, queers and radical sex culture, as well as kink and a very counterculture underground scene that’s played a huge part in the shaping of San Francisco. It felt a part of the old San Francisco, maybe one of the last places that felt like it was connected to that.
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It was an institution, and it was located in what was known as the Barbary Coast. It was a peep show, so you looked through a window at women - and people of actually many different genders, body shapes and looks - and you look at them without their clothes off, or erotic dancing. The Lusty Lady was the nation’s only worker-owned, unionized adult entertainment business. In your talk at TEDGlobal 2014, you described the Floating Peep Show, and how it was inspired by two San Francisco counterculture establishments that had closed within months of each other - the Lusty Lady and Esta Noche. Always Get on the Boat will both celebrate and mourn the likely demise of the Fifth Street Marina - a longstanding alternative community on a post-industrial waterfront in Oakland, California, that is slated to be overrun by commercial development.Īs she sets the plans for this new work, we talked to Hockaday about the struggle to make space for alternative culture, and why urban access to open water is so important. Now, Hockaday plans to turn a retired Coast Guard vessel into a venue for a huge waterborne multimedia spectacle. Take the Floating Peep Show - in which out-of-work drag queens and exotic dancers performed in the hulls of sailboats in the middle of San Francisco Bay. Identifying as a Chilean-American queer artist, Hockaday creates spaces that celebrate creative freedom and counterculture communities while defying gentrification. Photo: Constance HockadayĬonstance Hockaday makes large-scale installations on open water. In Floating Peep Show, audiences were ferried across the San Francisco Bay to four sailboats rafted together, where they paid to watch live performances in the hulls.